![]() ![]() ![]() Ambedkar’s teachings, Damu stands against the Police and the caste system. The story begins in the 1930s when Damu, the protagonist of the story, is continuously addressed as “Mahar” in his ancestral village in Western Maharashtra where caste determined one’s destiny. At one level, it is a tribute from a son to his father while on the other hand, it is the story of the Dalits through three generations. Outcaste: A Memoir is an adaptation by Narendra Jadhav, from his own Marathi best-seller Amcha Bap Aan Amhi (Our Father and Us). He has also served many international assignments with IMF. He is presently the Vice-Chancellor of the University of Pune and the Head of the Department of Economic Analysis & Policy at the Reserve Bank of India. Narendra Jadhav is a well-known economist, public speaker and a social worker. ![]()
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![]() ![]() ![]() “Geological Investigations at The Hurlers – As Part of the CHAHP Mapping The Sun Project.” Unpublished manuscript.īradley, R., 1998. Wellingborough, UK: Turnstone Press.īeeson, C., 2013. Prehistoric Cornwall: The Ceremonial Monuments. ![]() Additional astronomical links suggest a number of interesting phenomena which would be experienced at the site, particularly surrounding the materiality of the inter-circle link.īarnatt, J., 1982. Astronomical observations of this major Bronze Age landscape reveal a design with significant alignments between key monuments and near and distant landmarks. Geological studies of the standing stones accompanied by astronomical surveys have prompted new insights into the make-up of this monument, its landscape setting and astronomical significance. Work in 2016 discovered a solitary fallen (once standing) stone which lay 100 m to the north of The Hurlers complex. In 2013, excavation revealed a stone “pavement” between the central and northern circles: this inter-circle link had first been discovered in 1938 but had then been re-covered. Two projects – “Mapping the Sun” and “Reading the Hurlers” – have shone new light on the multiple stone circle complex, The Hurlers, on Bodmin Moor, Cornwall, in southwest Britain. Bronze Age, The Hurlers, celestial, Cornwall, pavement, stone circle Abstract ![]() ![]() ![]() It is the primary medium for conveying information and ideas within the caving history community. The Journal includes articles covering a wide variety of topics relating to man’s use of caves, including historical cave exploration and use, saltpeter and other mineral extraction, show cave development and history, and other related topics. The Journal of Spelean History is the Association’s primary publication and is mailed to all members. Membership in the National Speleological Society is not required. ![]() Membership: Membership in the Association is open to anyone who is interested in the history of man’s use of caves. It is devoted to the study, interpretation, and dissemination of information about spelean history, which includes folklore, legends, and historical facts about caves throughout the world and the people who are associated with them, their thoughts, philosophies, difficulties, tragedies, and triumphs. The American Spelean History Association The American Spelean History Association (ASHA) is an internal organization of the National Speleological Society. ![]() ![]() ![]() It also helps to make speak and vocal the silences and non-saids of the play with conceptual framework of Post-Structuralist Althusserian theory of decentred or disparate text. ![]() ![]() To make vocal the non-saids of Samuel Beckett‟s text, the theory and methodology, I seek in this research paper is Post-Structuralist Althusserian Hermeneutics that helps to find conflict, disparity and contradiction of meaning within the text and between the text and its ideological content. This paper aims to reflect on the significance of ideology to articulate Post-Structuralist Marxist theory of decentred or disparate text. This paper asks how the significant gaps, silences, absences and non-saids in the text of “Waiting for Godot” reflect the presence of the late modernist bourgeois ideology. Based on the theoretical concern of the discussions of Post-Structuralist Marxist theorists Louis Althusser and Pierre Macherey, the main concern of the discussion concentrates on the theory of decentred or disparate text, expounded by Pierre Macherey in his book, “A Theory of Literary Production” (1978). The different occurrences of conflicting and contradictory meanings within the text of the play show existence of the late modernist bourgeois ideology. This paper tends to focus on the different facets and meanings of „‟Waiting for Godot‟‟ by Samuel Beckett. ![]() ![]() Guardians of the trilogy are operating against evil forces-including Alaïs's sister, Oriane, a traitorous, sexed-up villainess who wants the books for her own purposes. As Carcassonne comes under siege by the Crusaders, Alaïs's father, Bertrand Pelletier,entrusts her with a book that is part of a sacred trilogy connected to the Holy Grail. ![]() Alaïs, in the year 1209, is a plucky 17-year-old living in the French city of Carcassone, an outpost of the tolerant Cathar Christian sect that has been declared heretical by the Catholic Church. Her discovery-two skeletons and a labyrinth pattern engraved on the wall and on a ring-triggers visions of the past and propels her into a dangerous race against those who want the mystery of the cave for themselves. In 2005, Alice Tanner stumbles into a hidden cave while on an archeological dig in southwest France. ![]() ![]() Mosse's page-turner takes readers on another quest for the Holy Grail, this time with two closely linked female protagonists born 800 years apart. ![]() ![]() ![]() Learn about the major environmental problems facing our planet and what can be done about them!
![]() We carried equipment together on shoots.Īnd when the odd reporter tried to throw her weight around and leave the camera person to carry bags of equipment, cables, the camera and tripod down the stairs and to the shoot location, Prannoy would step in, take the tripod off the shoulders of the colleague silently, lightening the load.Īt work, each of us built a lifetime of stories and experiences we carry every place we go. It's the end of an egalitarian media space, where Kamal Kant ji and I, anchors, reporters, camera assistants and the women who cleaned the toilets were all colleagues. That's what losing NDTV in its present shape and form means. He was overcome and wanted to talk about the old days. Many of us are in that corner, staring at the chasm NDTV leaves behind.Īs I wrote a sentimental post about it on Facebook, I got a phone call from Kamal Kant ji, who used to be a driver at NDTV. ![]() ![]() What more could cosy crime fans ask for?Īnother series is one thing – a wish that’s already been granted. ![]() ![]() All that, plus a truly lovely wardrobe worn by the impeccably dressed Lesley Manville in the lead role of Ryeland, and a new instant favourite detective in Tim McMullan’s Poirot-tinged Atticus Pünd. Both stories are told side by side on screen as actors play dual roles, and Anthony Horowitz’s adaptation of his own novel keeps multiple plates spinning. With Magpie Murders, you get double bubble – one investigation in the ‘real’ world as literary editor Susan Ryeland sleuths her way around modern-day Suffolk after the death of one of her authors, plus a 1950s-set dramatisation of that author’s latest detective novel. ![]() Warning: contains major spoilers for the Magpie Murders finale. ![]() ![]() Sparkle is white with a pink heart on his rump his blue horn resembles a party hat. ![]() Lucy has dark, curly hair and pale beige skin. Illustrations are lively, humorous, and expressive onomatopoeic sounds in large capitals are incorporated into text and art to dramatic effect. Children will enjoy this cute but thin Halloween story that offers some thrills, sweet good cheer, and reassurances that loyal friendship rises above all. Just then, Lucy spies a large pumpkin hurtling toward her and believes she’s within a monster’s clutches-until the pumpkin breaks open and…all ends well. ![]() It’s perfect-except he still hears the monster’s fearsome cry and quakes in terror so much the pumpkin detaches from its vine and careens down a hill. Sparkle hides hearing a terrifying wail, he concludes it’s a “pumpkin monster.” Opening a large pumpkin, Sparkle steps inside, creating a perfect new hideaway. Decorating pumpkins is the unicorn’s least fun activity of all: His (carved with his horn) looks happy, but Lucy’s is scary, frightening him so much that he races into the darkened pumpkin patch, a worried Lucy calling after him. They play games eat treats, which Sparkle loves and have spooky encounters, which Sparkle doesn’t. ![]() Lucy and her unicorn, Sparkle, anticipate fun at a pumpkin farm. ![]() Who knew a unicorn could be a scaredy-cat? ![]() ![]() ![]() Sometime in his twenties, Dante decided to try to write love poetry that was less centered on the self and more aimed at love as such: he intended to elevate courtly love poetry, many of its tropes and its language, into sacred love poetry. The prose creates the illusion of narrative continuity between the poems it is Dante's way of reconstructing himself and his art in terms of his evolving sense of the limitations of courtly love (the system of ritualized love and art that Dante and his poet-friends inherited from the Provençal poets, the Sicilian poets of the court of Frederick II, and the Tuscan poets before them). One of Dante's earliest works, La vita nuova or La vita nova (The New Life) is in a prosimetrum style, a combination of prose and verse, and tells the story of his youthful love for Beatrice. ![]() LibriVox recording of The New Life (La vita nuova) by Dante Alighieri. ![]() |